Susanna Peredo Swap talks about the ENVZN 23 Urban Art Takeover, transforming two city blocks into a showcase for film, theater, dance, visual arts and music, from both sides of the U.S.-Mexico border:
“Debby and Larry Kline‘s piece is installed in a screen printing shop, transforming the space. It talks about over-consumption and recycling and the cycle of living trash. It’ll be like a temple.”
Much thanks to all the folks at Mesa College art gallery for printing our woodblock, United States Hostage, at ENVZN23 Urban Art Takeover. Their crew “crushed it” on the streets of Logan Heights for about 12 hours. We sooooooo wanted to drive the steamroller!!!
We were thrilled to be part of this visual and performing arts festival that transformed warehouses, industrial spaces, and other urban areas of the Commercial Street corridor in Logan Heights. Two full city blocks were activated with multi-sensory art interventions by creatives from both sides of the U.S./Mexico border. Here is the Malashock Dance troupe tearing it up at ENVZN23 Urban Arts Takeover. The Alchemist is pleased.
The Klines’ Alchemist has appeared in different iterations in various locations. This newest version—now legless but taller than ever—will be surrounded by drawings that illustrate the four elements of the alchemical process: Earth, Wind, Fire and Water. You’ll find him in a space that welcomes meditation, with a soulful soundscape by Tijuana-based multimedia music artist MALU and an offering bowl for you to share your hopes and dreams.
“Students have the unique opportunity to work with the Klines to practice life drawing of models and cadavers,” said Lee. “The goal of the class is to help students form an understanding of the human body that is wholly different from, yet may intersect and interact with, the clinical perspective.”
Edgy and surreal, witty, and, well, expansive, the show includes an eight foot ink drawing (just one panel in a larger piece) by the Klines, “The Dark Side of the Moon (Phase 3)
Columns on either side, made of blue masking tape, present Schomaker as a Samson-like figure pulling down the pillars of body-image orthodoxy. “This is an image of her pushing the boundaries of what is considered acceptable,” Larry said. “We tried to make an image of her that shows her inner strength instead of her foibles and weaknesses,” Debby added.
The Alchemist is the original “maker”, an icon for a world that demands cheap, readily available material goods, without concern for the byproducts of manufacturing. But our relationship with industry is a complicated one. At its core, the Alchemist also represents our need to design, build and change our environment through understanding the principles that guide our world.
We created a Patreon account so that people who love what we create can help support our work.
We have created a short video to encourage voting in this crucial US Presidential election. To save our Democracy, we must all do our best to counteract voter suppression and Fascism. If our cat can do it, so can you!
We are honored to be interviewed by Heritagefuture.org for our work illustrating stories for Write Out Loud’s Kamishibai presentations. The latest project was told from the viewpoint of a Japanese-American child, who endured loss and displacement as his family was forced into Japanese internment camps during WWII.
We create everything from large installations to micro-drawings. The materials that we use are always dictated by the idea, so our media ranges from the traditional like graphite, clay and paint to the unusual, such as fluorescent light bulbs, mud from the Dead Sea, ketchup and salt. Much of our work is a reflection on politics and social justice.
SAN DIEGO – The contemporary art exhibit, “Beyond the Age of Reason,” curated by Larry and Debby Kline, is nearing the end of its run at the San Diego Art Institute in Balboa Park. If you want to be intrigued, or even possibly enraged, by various artists’ visions of religion and spirituality, you’ll need to get to the museum space before the exhibit closes on October 31st.
The myth-master is Eleanor Antin, one of the founding members of UC San Diego’s Visual Arts Department, and an internationally-admired artist, or as the Klines put it: “an artist of the world.” Shown here is one of the pieces from her “Roman Allegories,” a series of large-scale photos staged in Del Mar and La Jolla that re-envision the last days of an ancient civilization remarkably similar to ours.
After the failed military coup of 2016 in Turkey, Iristay designed 55 rehals (the x-shaped bookrests for the Quran) and filled them with small minarets. Titled “Oku | Read,” the rehals are covered with military cards used by soldiers to keep track of their service days. The translucent cast-resin minarets are in jumbled disarray. The piece, part of the San Diego Art Institute’s exhibition “Beyond the Age of Reason,” warns of ignorance.
Simultaneous exhibitions at San Diego Art Institute and California Center for the Arts Museum!
We will be showing our “Post-Apocalyptic Coffeehouse” as well as thirty-nine drawings from our latest series, “Tiny Revolutions,” which have never been seen in San Diego at California Center for the Arts Museum. These tiny “acts of defiance” are hand-drawn graphite images ranging in size from ½” x ½” to 2 ½” x 2 ½.”
Beyond the Age of Reason continues at San Diego Art Institute featuring works by 20 artists including Eleanor Antin, Wayne Martin Belger, Michelangelo Buonarroti, de la Torre Brothers, Ruben Ochoa and Erika Rothenberg. Curated by Debby and Larry Kline.
We have decided to create an “act of defiance” each day in the form of Tiny Revolutions, very small hand-drawn graphite images ranging in size from ½” x ½” to 2 ½” x 2 ½.” Their size is dictated by the possibility that a day may come when Americans cannot freely voice dissent.
I am not even going to try to explain the relationship and subjects of all these collaborations between artists and scientist. Works about cancer and aging were prevalent. Some of the artists developed a great connection and collaboration. others were truly just inspired by the research of the scientists. But the quality of the artists chosen to participate was so high, that the show is a winner.
We understand Larry and Debby Kline stepped in when a curator dropped out for the Reuse Recreate Reimagine and they did a stunning job of pulling together an exciting group of artists in this museum level exhibition.
We created “Cacophony and Utterances,” a participatory poem in two parts based on the artist’s own works. The first reading took place in the Getty Center theater, with hundreds of participants each reading one of five of David’s poems simultaneously. Through his words, a cacophonous wall of sound filled the theater.
Each work consists of the CALL statement, and 2 RESPONSE drawings. The “CALL” occurs when one of The Klines asks the other partner to draw “something”. Once that drawing is finished, the person who issued the CALL creates a second drawing (in RESPONSE to the first drawing). We alternate who initiates the CALL. The result of this project reinforces the manner in which we feed off of each other’s ideas. It also emphasizes the continued spirit of play and the duality that guides many of our projects.