Larry and Debby Kline artists and provocateurs – installation, performances, and other works

Posts Tagged ‘political art’
San Diego Jewish World, “Art to inspire, raise questions, and perhaps anger,” by Donald H. Harrison, October 23, 2018.
San Diego Jewish World, “Art to inspire, raise questions, and perhaps anger,” by Donald H. Harrison, October 23, 2018.

SAN DIEGO – The contemporary art exhibit, “Beyond the Age of Reason,” curated by Larry and Debby Kline, is nearing the end of its run at the San Diego Art Institute in Balboa Park. If you want to be intrigued, or even possibly enraged, by various artists’ visions of religion and spirituality, you’ll need to get to the museum space before the exhibit closes on October 31st.

La Jolla Light,”20 artists reveal their beliefs in potent exhibit at Balboa Park,” By Lonnie Burstein Hewitt, October 15, 2018.
La Jolla Light,"20 artists reveal their beliefs in potent exhibit at Balboa Park," By Lonnie Burstein Hewitt, October 15, 2018.

The myth-master is Eleanor Antin, one of the founding members of UC San Diego’s Visual Arts Department, and an internationally-admired artist, or as the Klines put it: “an artist of the world.” Shown here is one of the pieces from her “Roman Allegories,” a series of large-scale photos staged in Del Mar and La Jolla that re-envision the last days of an ancient civilization remarkably similar to ours.

Art and Cake LA, “Dialectic of Being and Becoming at 18th Street Arts Center,” By Genie Davis, October 1, 2018.
Art and Cake LA, “Dialectic of Being and Becoming at 18th Street Arts Center,” By Genie Davis, October 1, 2018.

Debby and Larry Kline’s lush black and white works, the phrase “3 EYES” running vertically between two images, one of which features the eyes of a potato, while drones circle a rather apocalyptic landscape; the other a man with a singularly long lensed telescope or perhaps a periscope, pointed down, with an eye at its lens. The frame above the work features eye-like shapes. We are encouraged to look within, and to truly “see” our way of life. Beautifully, realistically detailed, the humor and absurdist quality of the subjects create a rich dichotomy.

Art and Cake LA, “Beyond the Age of Reason at the San Diego Art Institute,” by Genie Davis, September 13, 2018.
Art and Cake LA, “Beyond the Age of Reason at the San Diego Art Institute,” by Genie Davis, September 13, 2018.

“Myth is open to interpretation, and unfortunately, so are truths, but they are still the underpinnings of religious belief. The nuances of belief can either unite or divide individual, families and nations. The nuances can lead to peace or more often, war,” the Klines relate. “We believe -pun intended – that the artists reflect the larger populace that struggles with the concept of belief.”

Art and Cake LA, “Final Round Up: Studio System 2 at Torrance Art Museum,” By Lawrence Gipe, August 8, 2018.
Art and Cake LA, “Final Round Up: Studio System 2 at Torrance Art Museum,”  By Lawrence Gipe, August 8, 2018.

Conceptual power-couple Debby and Larry Kline worked on five different projects during SS2 including the crowd-pleasing Poor, Poor Artist, which asked the public for stock tips (the Klines had invested their $500 stipend from the residency into the market).

Smithsonian Magazine, “The Dispossessed,” by Anna Diamond, July 2018.
Smithsonian Magazine, “The Dispossessed,” by Anna Diamond, July 2018.

Although this article was not specifically written about “Beyond the Age of Reason,” Smithsonian’s feature article on Wayne Martin Belger and his “Us and Them” project was published just days before our exhibition opened. Since the “Beyond the Age of Reason,” exhibition is the first time that “Us and Them” has been publicly exhibited, we felt it important to include the article here. To read the complete story, please visit SMITHSONIAN MAGAZINE, “The Dispossessed,” by Anna Diamond, July 2018.

NO LONGER HIDDEN! DesEscondido BEGINS! & OH MY GODS! BEYOND THE AGE OF REASON CONTINUES!
NO LONGER HIDDEN!  DesEscondido  BEGINS!  &  OH MY GODS!  BEYOND THE AGE OF REASON  CONTINUES!

Simultaneous exhibitions at San Diego Art Institute and California Center for the Arts Museum!

We will be showing our “Post-Apocalyptic Coffeehouse” as well as thirty-nine drawings from our latest series, “Tiny Revolutions,” which have never been seen in San Diego at California Center for the Arts Museum. These tiny “acts of defiance” are hand-drawn graphite images ranging in size from ½” x ½” to 2 ½” x 2 ½.”

Beyond the Age of Reason continues at San Diego Art Institute featuring works by 20 artists including Eleanor Antin, Wayne Martin Belger, Michelangelo Buonarroti, de la Torre Brothers, Ruben Ochoa and Erika Rothenberg. Curated by Debby and Larry Kline.

Art and Cake, “The Candy Store and Something Extra at Shoebox Projects,” By Genie Davis, June 24, 2018.
Art and Cake, "The Candy Store and Something Extra at Shoebox Projects," By Genie Davis, June 24, 2018.

The collaborative couple have created an astonishing installation work that is both political and beautiful; it is experiential and a passionate protest. Viewers here are participants shopping in this candy store, searching for a cure not just for our own sicknesses, but that of society.

Art and Cake, “Studio Systems II at Torrance Art Museum: Half-Time,” by Larry Gipe, June 18, 2018.
Art and Cake, "Studio Systems II at Torrance Art Museum: Half-Time," by Larry Gipe, June 18, 2018.

Debby and Larry Kline take on the social and environmental issues of the day in a variety of projects including Tiny Revolutions (pictured here) – small pencil on paper works that pack a big punch. A chalkboard on site lists the myriad pieces that are underway.

Tiny Revolutions
Tiny Revolutions

We have decided to create an “act of defiance” each day in the form of Tiny Revolutions, very small hand-drawn graphite images ranging in size from ½” x ½” to 2 ½” x 2 ½.” Their size is dictated by the possibility that a day may come when Americans cannot freely voice dissent.

The War Ain’t Over Till the Paperwork’s Done
The War Ain’t Over Till the Paperwork’s Done

This work consists of 95 hand-made paper tanks in pentagonal formation. The work alludes to the “paper tiger,” a phrase used to describe an aggressive yet ineffectual military power. The vision of paper tanks in various states of decay also refers to a recent disclosure of massive misappropriation of taxpayer funds as documented in the Pentagon’s publication of “Internal Controls Over Payments Made in Iraq, Kuwait and Egypt.”