Edgy and surreal, witty, and, well, expansive, the show includes an eight foot ink drawing (just one panel in a larger piece) by the Klines, “The Dark Side of the Moon (Phase 3)
“Students have the unique opportunity to work with the Klines to practice life drawing of models and cadavers,” said Lee. “The goal of the class is to help students form an understanding of the human body that is wholly different from, yet may intersect and interact with, the clinical perspective.”
Columns on either side, made of blue masking tape, present Schomaker as a Samson-like figure pulling down the pillars of body-image orthodoxy. “This is an image of her pushing the boundaries of what is considered acceptable,” Larry said. “We tried to make an image of her that shows her inner strength instead of her foibles and weaknesses,” Debby added.
Our piece, Seeking Truth, riffs off of the scientific research of Thomas Albright, the Chair of Vision Research at the Salk Institute. It also incorporates poetry by David Antin and Jerome Rothenberg, and readings by Eleanor Antin and Jerome Rothenberg.
The Alchemist is the original “maker”, an icon for a world that demands cheap, readily available material goods, without concern for the byproducts of manufacturing. But our relationship with industry is a complicated one. At its core, the Alchemist also represents our need to design, build and change our environment through understanding the principles that guide our world.
Project Extinction is a series of drawings updating John Audubon‘s Birds of America. We are documenting the species that have since gone extinct since it’s publication, a continuation of a project that we started when we were artists in residence at the San Diego Museum of Natural History.
As the Joyce Cutler-Shaw Artists in Residence at UCSD School of Medicine, we are honored to have the opportunity to create artworks for display. We recently created/and or installed two large sculptures and one large drawing in the Biomedical Sciences building, each about 8 feet in height or length.
In the final panel, The Dark Side of the Moon, the Earth has become a defunct rock in the sky and rabbits, the victims of testing, have escaped and repopulated the moon, doomed to repeat the same mistakes as their human counterparts.
We created a Patreon account so that people who love what we create can help support our work.
We have created a short video to encourage voting in this crucial US Presidential election. To save our Democracy, we must all do our best to counteract voter suppression and Fascism. If our cat can do it, so can you!
We create everything from large installations to micro-drawings. The materials that we use are always dictated by the idea, so our media ranges from the traditional like graphite, clay and paint to the unusual, such as fluorescent light bulbs, mud from the Dead Sea, ketchup and salt. Much of our work is a reflection on politics and social justice.
Curated by Dani Dodge and Alanna Marcelletti, “Disclosure: Confessions for Modern Times” features artists Kim Abeles, Jorin Bossen, Kimberly Brooks, Joe Davidson, Dani Dodge, Donald Fodness, Kathryn Hart, Debby and Larry Kline, Conchi Sanford, Ed Tahaney and Steven Wolkoff.
Each work consists of the CALL statement, and 2 RESPONSE drawings. The “CALL” occurs when one of The Klines asks the other partner to draw “something”. Once that drawing is finished, the person who issued the CALL creates a second drawing (in RESPONSE to the first drawing). We alternate who initiates the CALL. The result of this project reinforces the manner in which we feed off of each other’s ideas. It also emphasizes the continued spirit of play and the duality that guides many of our projects.
For years, The Klines have engaged in an unusual ritual by making art when dining out. It is one facet of their art that spawned their collaborative ventures. These works capture creativity at its most playful state, resulting in surprisingly complex and impromptu sculptures borne of only the materials at hand.