ENVZN24 paired our latest work, “The New Age of Enlightenment,” with San Diego Fashion Week! This piece is one of the largest 3D Printed artworks that we have seen and it invited lots of public interaction, including hundreds of new messages placed inside the Buddha column by visitors. We will post these ‘hopes and dreams for the future’ on social media daily.
Much thanks to all the folks at Mesa College art gallery for printing our woodblock, United States Hostage, at ENVZN23 Urban Art Takeover. Their crew “crushed it” on the streets of Logan Heights for about 12 hours. We sooooooo wanted to drive the steamroller!!!
Edgy and surreal, witty, and, well, expansive, the show includes an eight foot ink drawing (just one panel in a larger piece) by the Klines, “The Dark Side of the Moon (Phase 3)
In the final panel, The Dark Side of the Moon, the Earth has become a defunct rock in the sky and rabbits, the victims of testing, have escaped and repopulated the moon, doomed to repeat the same mistakes as their human counterparts.
We created a Patreon account so that people who love what we create can help support our work.
We have created a short video to encourage voting in this crucial US Presidential election. To save our Democracy, we must all do our best to counteract voter suppression and Fascism. If our cat can do it, so can you!
Weeks 1-6 of my self-confinement residency which will culminate in a performance and exhibition at Building Bridges Art Exchange Los Angeles. I am building Patrolling the Perimeters, featuring sugar tanks riding robotic vacuums which clean up their own messes as they collide.
We are honored to be interviewed by Heritagefuture.org for our work illustrating stories for Write Out Loud’s Kamishibai presentations. The latest project was told from the viewpoint of a Japanese-American child, who endured loss and displacement as his family was forced into Japanese internment camps during WWII.
Larry Kline discusses his work with Debby Kline in a virtual chat at Building Bridges Art Exchange, Los Angeles. This conversation is part of the “Self-Confinement Residency,” developed by arts organizations in Spain, Columbia, Costa Rica and the United States to address the challenges facing artists who continue to create in the face of covid-19.
We create everything from large installations to micro-drawings. The materials that we use are always dictated by the idea, so our media ranges from the traditional like graphite, clay and paint to the unusual, such as fluorescent light bulbs, mud from the Dead Sea, ketchup and salt. Much of our work is a reflection on politics and social justice.
The myth-master is Eleanor Antin, one of the founding members of UC San Diego’s Visual Arts Department, and an internationally-admired artist, or as the Klines put it: “an artist of the world.” Shown here is one of the pieces from her “Roman Allegories,” a series of large-scale photos staged in Del Mar and La Jolla that re-envision the last days of an ancient civilization remarkably similar to ours.
After the failed military coup of 2016 in Turkey, Iristay designed 55 rehals (the x-shaped bookrests for the Quran) and filled them with small minarets. Titled “Oku | Read,” the rehals are covered with military cards used by soldiers to keep track of their service days. The translucent cast-resin minarets are in jumbled disarray. The piece, part of the San Diego Art Institute’s exhibition “Beyond the Age of Reason,” warns of ignorance.
Although this article was not specifically written about “Beyond the Age of Reason,” Smithsonian’s feature article on Wayne Martin Belger and his “Us and Them” project was published just days before our exhibition opened. Since the “Beyond the Age of Reason,” exhibition is the first time that “Us and Them” has been publicly exhibited, we felt it important to include the article here. To read the complete story, please visit SMITHSONIAN MAGAZINE, “The Dispossessed,” by Anna Diamond, July 2018.
San Diego Art Institute in Balboa Park Presents: Beyond the Age of Reason
Dates: September 1–October 31, 2018
Member Reception: Saturday, September 15 from 5pm-6pm
Public Reception: Saturday, September 15 from 6pm-8pm
The museum is open Tuesday, Thursday, Friday 10am-5pm, Wednesday 10am-8pm,
Saturday-Sunday 12pm-5pm
Simultaneous exhibitions at San Diego Art Institute and California Center for the Arts Museum!
We will be showing our “Post-Apocalyptic Coffeehouse” as well as thirty-nine drawings from our latest series, “Tiny Revolutions,” which have never been seen in San Diego at California Center for the Arts Museum. These tiny “acts of defiance” are hand-drawn graphite images ranging in size from ½” x ½” to 2 ½” x 2 ½.”
Beyond the Age of Reason continues at San Diego Art Institute featuring works by 20 artists including Eleanor Antin, Wayne Martin Belger, Michelangelo Buonarroti, de la Torre Brothers, Ruben Ochoa and Erika Rothenberg. Curated by Debby and Larry Kline.
We have decided to create an “act of defiance” each day in the form of Tiny Revolutions, very small hand-drawn graphite images ranging in size from ½” x ½” to 2 ½” x 2 ½.” Their size is dictated by the possibility that a day may come when Americans cannot freely voice dissent.
This work consists of 95 hand-made paper tanks in pentagonal formation. The work alludes to the “paper tiger,” a phrase used to describe an aggressive yet ineffectual military power. The vision of paper tanks in various states of decay also refers to a recent disclosure of massive misappropriation of taxpayer funds as documented in the Pentagon’s publication of “Internal Controls Over Payments Made in Iraq, Kuwait and Egypt.”
In the main gallery, Debby and Larry Kline intrepidly essay on the relationship between Mexico and the United States, but they don’t stop there. US/Middle East policy, military might makes right, and the health care system as big business are all candidates for brutal scrutiny in this cavalcade of social and political commentary.