Weeks 1-6 of my self-confinement residency which will culminate in a performance and exhibition at Building Bridges Art Exchange Los Angeles. I am building Patrolling the Perimeters, featuring sugar tanks riding robotic vacuums which clean up their own messes as they collide.
Much love to Cultural Center of Spain in Costa Rica – Casa Caníbal, the network of ArthouseSpain centers, formed by Museo C.A.V. La Neomudéjar, Kárstica Espacio de Creación and Zapadores Ciudad del arte, in Spain; together with partners Building Bridges Art Exchange in Los Angeles (USA), Plataforma Caníbal in Barranquilla (Colombia) and Women in the Visual Arts (MAV), for the opportunity to participate in this residency program!
September 4, 2020 | Filed under Projects and Works and tagged with art about war, art and technology, art with sensors, ArthouseSpain, artists in residence, Building Bridges Art Exchange, Casa Caníbal, conceptual art, Cultural Center of Spain in Costa Rica, Debby and Larry Kline, Kárstica Espacio de Creación and Zapadores Ciudad del arte, Museo C.A.V. La Neomudéjar, Patrolling the Perimeters, Plataforma Caníbal in Barranquilla, political art, sugar tanks, The Klines, Women in the Visual Arts (MAV).
Tags: art about war, art and technology, art with sensors, ArthouseSpain, artists in residence, Building Bridges Art Exchange, Casa Caníbal, conceptual art, Cultural Center of Spain in Costa Rica, Debby and Larry Kline, Kárstica Espacio de Creación and Zapadores Ciudad del arte, Museo C.A.V. La Neomudéjar, Patrolling the Perimeters, Plataforma Caníbal in Barranquilla, political art, sugar tanks, The Klines, Women in the Visual Arts (MAV)
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