We often begin at opposite sides of the paper, eventually crawling all over each other to see what the other has produced in order to create a response to it. This drawing depicts every sort of natural and man-made disaster that can befall our planet. As the earth splits apart, the viewer can be calmed by deciphering the secret message of hope, delivered in binary code near the bottom center of the image.
Appearing a bit like a large 1950’s ray gun, this device projects images onto the chest of the wearer using only an LED flashlight and handmade slides made of architectural foam. The first exhibition of this work provoked a security guard to interrogate us.
Potentially irreverent and provocative but definitely something to see! Now on exhibit in the center’s Gotthelf Gallery is Seeing is Believing: A Reinvention of Articles of Faith that was curated by the diabolically clever artist husband and wife team Debby and Larry Kline. Spending two-years curating the exhibition, it is a mix of artists and artworks that explore various aspects of religion: from its capitalist complications and implications to its dogmatic altruisms and idiosyncrasies.
Talk about eclectic: Imagine an art exhibit that includes an elegant neo-Gothic cathedral made out of metal crutches, Vatican-approved marble reproductions of the heads of Michelangelo’s famous Pieta figures, fragments of Bible pages turned into Rorschachs, a 3-D “Mother of all Buddhas,” and a penny-filled cross that tells the future (sort of) to anyone who drops in a coin. It’s “Seeing is Believing: A Reinvention of Articles of Faith,” on view at the Lawrence Family JCC’s Gotthelf Gallery. Curated by Debby and Larry Kline, prizewinning artist-provocateurs who love to turn convention upside-down and get people talking.
Curators Larry and Debby Kline have pulled together a multi-religious, multi-media exhibition in which religious symbols are conflated with symbols from other human arenas to produce an exhibition which may inspire some, anger others, but get everyone to think.
Seeing is Believing: A Reinvention of Articles of Faith
FEATURING THE WORK OF: Michelangelo Buonarroti, Einar and Jamex De La Torre, Dave Ghilarducci, Paula Levine, Cheryl Nickel
One of the coolest art events of the almost-spring season took place Feb. 28 at the San Diego Art Institute in Balboa Park.
San Diego Art Institute (SDAI) in Balboa Park has a whole new look this month with the October 4 opening of “Beyond Limits: Postglobal Mediations,” an exhilarating multi-media exhibition that features more than 30 local and international artists showing a broad range of imaginative, thought-provoking and often interactive works. It’s a spinoff of the International Mediations Biennale that began four years ago in Poland as a “borderless circuit of experimentation” to create dialogues between artists from varied cultures, with simultaneous happenings taking places in cities around the world.
In a banner year for border-themed art shows, the San Diego Art Institute in Balboa Park (SDAI) is thinking worldwide. Beyond Limits: Postglobal Mediations opens Friday, Oct. 3, after almost two years in the making. Co-curated by SDAI Executive Director Ginger Shulick Porcella and collaborator Denise Carvalho, it’s the Southern California site for the Mediations Biennale, an art-and-scholarly-discourse event happening in nearly a dozen countries: Poland, Germany, Peru, Uruguay, Mozambique, Israel, Japan, Turkey, Belgium, the United Kingdom and the United States.