There’s been an uptick in art projects happening at the border now that President Donald Trump is in office. With so much attention on the border, it’s worth taking a quick look at some of the art that’s attempted to tackle the prickly issues surrounding it. Here are 20 instances of gutsy, controversial art that has explored the border.
Artists Debby and Larry Kline called for audience participation in “Cacophony,” asking everyone to read out loud, and at the same time, a poem of Antin’s folded inside their programs. Each piece was different, and the blend of voices created a grand orchestration of his work.
Continually engaged artists are Debby and Larry Kline, who find constant ways to impress and nurture the arts here, and Marcos Ramírez ERRE, who, since his first inSite participation in 1994, has astounded the art world with his historic and political approaches.
Murphy has commissioned two San Diego-based artists to create designs for the two Dahl stories being performed for the StoryBox program. Samantha Jean Wilson has created artwork for “The Enormous Crocodile,” while Debby Kline and Larry Kline have assembled imagery for “The Magic Finger.”
El Mexicano, Coverage of The Kline’s Installation at Happening en el Valle, Valle de Guadalupe, Mexico, September 2016
The MAS concept was created by L.A.-based ARTRA Curatorial, and once again, co-founder Max Presneill, Director/Curator of the Torrance Art Museum, was here for the Balboa Park event, which took place at SDAI on March 19. This time, there were 100 artists from Los Angeles and 100 from San Diego, some of them natives of countries all over the world.
“We deal with serious issues – health, finance, social issues. But we make them a lot more palatable if we first make people laugh. That duality characterizes our work: the beautiful first; then the twisted blade.”
Both the funny visual play on words and visual spectacle of the Klines’ “The Alchemist and his Junks” installation itself is worth the trip to the Central SDPL Art Gallery to see. The artist couple Jean Lowe and Kim MacConnel each already have widespread international reputations, and the careers of both couples Debby & Larry Kline as a team and Jessica McCambly and John Oliver Lewis as individuals are in light-speed ascension.
Potentially irreverent and provocative but definitely something to see! Now on exhibit in the center’s Gotthelf Gallery is Seeing is Believing: A Reinvention of Articles of Faith that was curated by the diabolically clever artist husband and wife team Debby and Larry Kline. Spending two-years curating the exhibition, it is a mix of artists and artworks that explore various aspects of religion: from its capitalist complications and implications to its dogmatic altruisms and idiosyncrasies.
Talk about eclectic: Imagine an art exhibit that includes an elegant neo-Gothic cathedral made out of metal crutches, Vatican-approved marble reproductions of the heads of Michelangelo’s famous Pieta figures, fragments of Bible pages turned into Rorschachs, a 3-D “Mother of all Buddhas,” and a penny-filled cross that tells the future (sort of) to anyone who drops in a coin. It’s “Seeing is Believing: A Reinvention of Articles of Faith,” on view at the Lawrence Family JCC’s Gotthelf Gallery. Curated by Debby and Larry Kline, prizewinning artist-provocateurs who love to turn convention upside-down and get people talking.
Curators Larry and Debby Kline have pulled together a multi-religious, multi-media exhibition in which religious symbols are conflated with symbols from other human arenas to produce an exhibition which may inspire some, anger others, but get everyone to think.
One of the coolest art events of the almost-spring season took place Feb. 28 at the San Diego Art Institute in Balboa Park.
San Diego Art Institute (SDAI) in Balboa Park has a whole new look this month with the October 4 opening of “Beyond Limits: Postglobal Mediations,” an exhilarating multi-media exhibition that features more than 30 local and international artists showing a broad range of imaginative, thought-provoking and often interactive works. It’s a spinoff of the International Mediations Biennale that began four years ago in Poland as a “borderless circuit of experimentation” to create dialogues between artists from varied cultures, with simultaneous happenings taking places in cities around the world.
In a banner year for border-themed art shows, the San Diego Art Institute in Balboa Park (SDAI) is thinking worldwide. Beyond Limits: Postglobal Mediations opens Friday, Oct. 3, after almost two years in the making. Co-curated by SDAI Executive Director Ginger Shulick Porcella and collaborator Denise Carvalho, it’s the Southern California site for the Mediations Biennale, an art-and-scholarly-discourse event happening in nearly a dozen countries: Poland, Germany, Peru, Uruguay, Mozambique, Israel, Japan, Turkey, Belgium, the United Kingdom and the United States.
Think Tank marked the half way point during a busied 2014 for the Juggling Klines. A fitting name for this tireless contemporary art duo, Debby and Larry Kline, who earned an Emmy, dashed off to Paris and juggled their demanding schedule. Recently, Debby and Larry were featured at ArtExpo in San Diego where they built a quarter scale military tank adorned with real stories featuring local Veterans. I am honored with the opportunity to interview two inspired contemporaries who consistently evolve their work, no matter the genre: performance, sculpture, painting, drawing, assemblage and teaching.
The Klines wrapped a one-fourth-scale model tank in comics that illustrate stories gathered from local military men and women, presenting them in the visual language of heroism and strength. The Klines love to play with contrasts, balancing the harsh reality of war with the escapism of entertainment.
We did a live performance of “My Dinner with The Klines” on a show called ArtPulse TV and we just received the exciting news that the episode featuring our work just won an Emmy award for arts and entertainment programming. Our gratitude and congratulations go to Barbarella Fokos, David Fokos, and videographer/editor Giovanni DiGiacomo at Art Pulse [...]
We recently found that one of our early collaborative pieces, “The Electric Fields of California,” was included in this book that addresses ethical issues surrounding the fields of architecture and design. We are thrilled to be included in this treatise, and although we have yet to get a copy in our hot little hands, we [...]
Think Tank marked the half way point during a busied 2014 for the Juggling Klines. A fitting name for this tireless contemporary art duo, Debby and Larry Kline, who earned an Emmy, dashed off to Paris and juggled their demanding schedule.
Pick up the Art San Diego schedule this year and you’ll see the names of Debby and Larry Kline so many times, you might think there’s been some sort of mistake. The ubiquity of The Klines is a good thing, giving visitors a chance to get a grasp on the depth, diversity and myriad political provocations of their work.
There’s a lot to criticize at art fairs, which often include more commercial, sellable art. While that type of work was surely present at Art San Diego, there was plenty of more challenging work. Among the outstanding pieces was nearly everything by artists Larry and Debby Kline, Raul Guerrero’s portraits featuring faces from San Diego art history and James Watts’ beautiful Kokeshi dolls.
So the Klines can be regarded as political artists, not in the dismal sense of advocating or lamenting one political policy or another, but of outrageously modeling discrepancies in our understandings of political situations. So they are hilarious political artists in the manner of Aristo-phanes rather than Brecht. But there is another sense in which they are not political artists, or not merely political artists.
Pick up the Art San Diego schedule this year and you’ll see the names Debby and Larry Kline so many times, you might think there’s been some sort of mistake. The married couple, who collaborate on their multimedia conceptual- and performance-art projects, will have work featured in two exhibitor booths—Beyond the Border Gallery and the San Diego Art Prize space—they’ll be doing multiple performances, giving a talk and leading tours through the fair as roving docents. The ubiquity of the Klines is a good thing, giving visitors a chance to get a grasp on the depth, diversity and myriad political provocations of their work.
But many of the notables in ArtSD13 are San Diegans, like artist-provocateurs Debby and Larry Kline. Besides bringing a number of their creative works to the fair, they will offer interactive performances, including a tour of the exhibits and a demo of “3Doodler,” a 3-D pen that writes in hard plastic. “It’s great to have the Klines onboard,” said Berchtold. “They combine an intellectual approach to art with such a sense of fun. The 3Doodler company donated a couple of pens for them to play with, and they’ll give fairgoers a chance to play, too.”