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Audubon documented as many American birds that he could find in his lifetime. He was an avid hunter but appreciated the diversity, abundance and beauty of birds. He often would kill the birds, position them in such a manner that they looked alive and then document them in drawings and paintings. We picked up his pen and followed with images of birds that are now extinct.
They’d created a kind of forced perspective—those tilted walls—and added competing sounds from multiple directions that were meant to be confusing, even a little disturbing—a demonstration of how distractions affect perception. The TRUTH carved into the granite slab was stippled to look blurry: the word appeared gradually in 15-minute cycles, then water jets washed it away. Dim lighting made things even more confusing, and I couldn’t hear myself in the cacophony of voices, recorded at a 2017 tribute to the late poet David Antin.
In SEEKING TRUTH, we present an architectural environment with visual and audible cues intended to make viewers feel unsettled or confused. A cacophony of sounds confronts viewers as they traverse the space. These sounds are derived from Cacophony and Utterances, a participatory piece that we created in memory of David Antin, performed at the Getty Center theater.
We have created a short video to encourage voting in this crucial US Presidential election. To save our Democracy, we must all do our best to counteract voter suppression and Fascism. If our cat can do it, so can you!
Weeks 1-6 of my self-confinement residency which will culminate in a performance and exhibition at Building Bridges Art Exchange Los Angeles. I am building Patrolling the Perimeters, featuring sugar tanks riding robotic vacuums which clean up their own messes as they collide.
We are honored to be interviewed by Heritagefuture.org for our work illustrating stories for Write Out Loud’s Kamishibai presentations. The latest project was told from the viewpoint of a Japanese-American child, who endured loss and displacement as his family was forced into Japanese internment camps during WWII.
Larry Kline discusses his work with Debby Kline in a virtual chat at Building Bridges Art Exchange, Los Angeles. This conversation is part of the “Self-Confinement Residency,” developed by arts organizations in Spain, Columbia, Costa Rica and the United States to address the challenges facing artists who continue to create in the face of covid-19.
Debby and Larry Kline play prophet by mapping impending tragedy for the planet. The large scale ink on paper work is lush and dramatic, referencing Biblical plagues as they foretell natural and man-made disasters. The work, “Prayer Rug: Be Not Afraid” is a massive 49 by 94 inches.