The Age of Enlightenment – A large scale installation consisting of a colonnade displaying various themes based on religion and conflict. Each of the eight columns is primarily made using castings from commercially available molds. The juxtaposition and alteration of these molded forms create new meaning and iconography.
For years, The Klines have engaged in an unusual ritual by making art when dining out. It is one facet of their art that spawned their collaborative ventures. These works capture creativity at its most playful state, resulting in surprisingly complex and impromptu sculptures borne of only the materials at hand.
The Candy Store acknowledges the trend toward self-diagnosis and treatment. Due to rising healthcare costs by providing medicinal candy. This starter pack of inconsumable medicinal talismans is a welcome addition to the panoply of healthcare choices and is guaranteed to meet or exceed FDA standards for safety or effectiveness.
Built atop the Museum on the Seam over the Passover and Easter holidays, Earth Igloo for Jerusalem reflects its surroundings, a dome in a city of domes, and is an ironic mud structure in a future sans ice. The mud is from the region of the Dead Sea, a body of water that [...]
The Game at Hand addresses America’s current global conflicts, and is a poignant commentary on US involvement in both hot and cold wars in the Middle East. At a distance, this piece appears to be simply a beautifully hand-made chess set. Closer inspection of the set, however, reveals the futility of this game.
Artists Debby and Larry Kline called for audience participation in “Cacophony,” asking everyone to read out loud, and at the same time, a poem of Antin’s folded inside their programs. Each piece was different, and the blend of voices created a grand orchestration of his work.
Continually engaged artists are Debby and Larry Kline, who find constant ways to impress and nurture the arts here, and Marcos Ramírez ERRE, who, since his first inSite participation in 1994, has astounded the art world with his historic and political approaches.
Murphy has commissioned two San Diego-based artists to create designs for the two Dahl stories being performed for the StoryBox program. Samantha Jean Wilson has created artwork for “The Enormous Crocodile,” while Debby Kline and Larry Kline have assembled imagery for “The Magic Finger.”
El Mexicano, Coverage of The Kline’s Installation at Happening en el Valle, Valle de Guadalupe, Mexico, September 2016
The MAS concept was created by L.A.-based ARTRA Curatorial, and once again, co-founder Max Presneill, Director/Curator of the Torrance Art Museum, was here for the Balboa Park event, which took place at SDAI on March 19. This time, there were 100 artists from Los Angeles and 100 from San Diego, some of them natives of countries all over the world.
“We deal with serious issues – health, finance, social issues. But we make them a lot more palatable if we first make people laugh. That duality characterizes our work: the beautiful first; then the twisted blade.”
Both the funny visual play on words and visual spectacle of the Klines’ “The Alchemist and his Junks” installation itself is worth the trip to the Central SDPL Art Gallery to see. The artist couple Jean Lowe and Kim MacConnel each already have widespread international reputations, and the careers of both couples Debby & Larry Kline as a team and Jessica McCambly and John Oliver Lewis as individuals are in light-speed ascension.
The Alchemist and His Junks is a large-scale installation devoted to the living cycle of trash. The main character is both ancient and modern. His garb is based on Han dynasty (206 BC–220 AD) jade burial suits. Through a contemporary translation, he has become a sleek superhero, emblematic of industry.
We often begin at opposite sides of the paper, eventually crawling all over each other to see what the other has produced in order to create a response to it. This drawing depicts every sort of natural and man-made disaster that can befall our planet. As the earth splits apart, the viewer can be calmed by deciphering the secret message of hope, delivered in binary code near the bottom center of the image.