Larry and Debby Kline artists and provocateurs – installation, performances, and other works
La Jolla Light, “In an ‘Extra-Ordinary Collusion’ Art/Science join forces for exhibit in Balboa Park,” by Lonnie Burstein Hewitt, June 15, 2017.
Navlakha uses algorithms to study similarities between biological and engineered networks, hoping to learn how to interrupt the progression of disease. The Klines use sensors to track which artworks in the exhibit hold visitors’ attention longest. Their installation includes video images of traffic patterns, networks of slime molds, herds of Pokemon Go players, and the artists, along with comfortable seating.
Picked RAW Peeled, “June Round-UP,” by Patricia Frischer, June 18, 2017.
I am not even going to try to explain the relationship and subjects of all these collaborations between artists and scientist. Works about cancer and aging were prevalent. Some of the artists developed a great connection and collaboration. others were truly just inspired by the research of the scientists. But the quality of the artists chosen to participate was so high, that the show is a winner.
San Diego Home and Garden Lifestyles, “A Fine Line: The Force of Fields,” by Ramin Skibba, June 2017.
Artists collaborated with scientists from the Salk Institute for works to be included in the exhibition titled Extra-Ordinary Collusions at San Diego Art Institute. Debby and Larry Kline learn[ed] about plant symmetry and fractals from Saket Navlakha.
Mining a Museum: Finding Hierarchies
We are riffing on the scientific work of Saket Navlakha (Assistant Professor, Integrative Biology Laboratory at Salk Institute) who uses algorithms to study similarities between biological and engineered networks. One of his areas of study addresses the ambulation of bacteria as well as traffic patterns formed by humans as they travel. Inspired by this work, we decided to create our own experiment by tracking museum visitors as they confront different art genres (eg. Painting, sculpture or digital works) within this exhibition.
Picked RAW Peeled, “Reuse Recreate Reimagine, Second Time Around at CCAE,” by Patricia Frischer, May 9, 2017.
We understand Larry and Debby Kline stepped in when a curator dropped out for the Reuse Recreate Reimagine and they did a stunning job of pulling together an exciting group of artists in this museum level exhibition.
La Jolla Light, “Recycled art exhibits shine at California Center for the Arts,” by Lonnie Burstein Hewitt, May 1, 2017
Curator of the 3Rs exhibition is Debby Kline — half of a dynamic art duo with her husband, Larry — who was called in to organize the show at the 11th hour, when the previous curator suddenly departed. No stranger to the museum, Debby had worked there in the mid-1990s, even doing a stint as Interim Director. Besides working on the new Alchemist installation and teaching art at Design Institute and UCSD Medical School, Debby managed to step into the curator’s role and assemble an eye-popping show in record time.
The Artist’s Odyssey, “Artists and Provocateurs Debby and Larry Kline,” by Barbarella Fokos, March 30, 2017.
We created “Cacophony and Utterances,” a participatory poem in two parts based on the artist’s own works. The first reading took place in the Getty Center theater, with hundreds of participants each reading one of five of David’s poems simultaneously. Through his words, a cacophonous wall of sound filled the theater.
Voice of San Diego, “The Most Memorable Acts of Protest Art at the Border,” by Kinsee Morlan, February 26, 2017.
There’s been an uptick in art projects happening at the border now that President Donald Trump is in office. With so much attention on the border, it’s worth taking a quick look at some of the art that’s attempted to tackle the prickly issues surrounding it. Here are 20 instances of gutsy, controversial art that has explored the border.
La Jolla Light, “David Antin’s Words Live On: Hundreds pay tribute to local poet at The Getty Center,” by Lonnie Burstein Hewitt, Feb. 17, 2017.
Artists Debby and Larry Kline called for audience participation in “Cacophony,” asking everyone to read out loud, and at the same time, a poem of Antin’s folded inside their programs. Each piece was different, and the blend of voices created a grand orchestration of his work.