The Age of Enlightenment – A large scale installation consisting of a colonnade displaying various themes based on religion and conflict. Each of the eight columns is primarily made using castings from commercially available molds. The juxtaposition and alteration of these molded forms create new meaning and iconography.
For years, The Klines have engaged in an unusual ritual by making art when dining out. It is one facet of their art that spawned their collaborative ventures. These works capture creativity at its most playful state, resulting in surprisingly complex and impromptu sculptures borne of only the materials at hand.
The Candy Store acknowledges the trend toward self-diagnosis and treatment. Due to rising healthcare costs by providing medicinal candy. This starter pack of inconsumable medicinal talismans is a welcome addition to the panoply of healthcare choices and is guaranteed to meet or exceed FDA standards for safety or effectiveness.
Built atop the Museum on the Seam over the Passover and Easter holidays, Earth Igloo for Jerusalem reflects its surroundings, a dome in a city of domes, and is an ironic mud structure in a future sans ice. The mud is from the region of the Dead Sea, a body of water that [...]
Luminarias for Passages Ceramic, tea lights Since La Casa Del Tunel was once a smuggling tunnel, the artists decided to honor the memory of those who either died trying to cross the border or made the crossing but lost contact with family in Mexico. These luminaries are in keeping with Mexican tradition and candles may [...]
Murphy has commissioned two San Diego-based artists to create designs for the two Dahl stories being performed for the StoryBox program. Samantha Jean Wilson has created artwork for “The Enormous Crocodile,” while Debby Kline and Larry Kline have assembled imagery for “The Magic Finger.”
El Mexicano, Coverage of The Kline’s Installation at Happening en el Valle, Valle de Guadalupe, Mexico, September 2016
“We deal with serious issues – health, finance, social issues. But we make them a lot more palatable if we first make people laugh. That duality characterizes our work: the beautiful first; then the twisted blade.”
The MAS concept was created by L.A.-based ARTRA Curatorial, and once again, co-founder Max Presneill, Director/Curator of the Torrance Art Museum, was here for the Balboa Park event, which took place at SDAI on March 19. This time, there were 100 artists from Los Angeles and 100 from San Diego, some of them natives of countries all over the world.
Both the funny visual play on words and visual spectacle of the Klines’ “The Alchemist and his Junks” installation itself is worth the trip to the Central SDPL Art Gallery to see. The artist couple Jean Lowe and Kim MacConnel each already have widespread international reputations, and the careers of both couples Debby & Larry Kline as a team and Jessica McCambly and John Oliver Lewis as individuals are in light-speed ascension.
The Alchemist and His Junks is a large-scale installation devoted to the living cycle of trash. The main character is both ancient and modern. His garb is based on Han dynasty (206 BC–220 AD) jade burial suits. Through a contemporary translation, he has become a sleek superhero, emblematic of industry.
We often begin at opposite sides of the paper, eventually crawling all over each other to see what the other has produced in order to create a response to it. This drawing depicts every sort of natural and man-made disaster that can befall our planet. As the earth splits apart, the viewer can be calmed by deciphering the secret message of hope, delivered in binary code near the bottom center of the image.
Appearing a bit like a large 1950’s ray gun, this device projects images onto the chest of the wearer using only an LED flashlight and handmade slides made of architectural foam. The first exhibition of this work provoked a security guard to interrogate us.
Potentially irreverent and provocative but definitely something to see! Now on exhibit in the center’s Gotthelf Gallery is Seeing is Believing: A Reinvention of Articles of Faith that was curated by the diabolically clever artist husband and wife team Debby and Larry Kline. Spending two-years curating the exhibition, it is a mix of artists and artworks that explore various aspects of religion: from its capitalist complications and implications to its dogmatic altruisms and idiosyncrasies.